Tony Morris - Poetry Writing Workshop    
Exercise 2 - Making Connections
Cut Shots

Crosscut: Next to an event in a poem of yours, juxtapose a simultaneous event that parallels or enhances the original event.

Contrast Shot: Next to another event, juxtapose a simultaneous event that is in contrast or opposition to it.

Jump cut: Take an event from your poem and write out a series of action shots within that event so that the series is one continuous sequence.

Visual Transition

Metaphorical dissolve: Choose an image from one of your poems and then add an image with a similarly implied meaning that creates a transition to another scene.

Form dissolve: Choose an image or sense detail from one of your poems and create another image or detail that has a similar physical mass, color, or shape that makes a transition to a new time, place, or idea.

Thematic montage: Choose an image from one of your poems and write out a series of associated images that progressively lead to the next image in the poem.

Flashback/flashforward: Right after an image, detail, event, or statement in one of your poems, segue backwards or forwards to another time and place.

Substitute image: Choose a few predictable images in your poem and substitute other more unexpected but logical images in their place.

POV

Establishing shot: Open a poem with a full shot of the room the speaker is in.

Deep focus shot: In the above establishing shot, make sure details of the foreground, middleground, and background are equally in focus.

Close-up shot: Select one of more images from the above shot and focus in closely on some detailed aspect of it.

Part 1 -
Part 2 -
Part 3 -
Part 4 -
Part 5 -
Part 6 -
Part 7 -

Part 8 -

Generation
Connections
Imagery
Form
Free Verse
Types
Opening/
Closing

Revision

Exercises

 
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